Screws on top.
The reed, free from the metallic mass of the screws, has better response.
Jazzmen knew it who put screws of their ordinary ligature on top.
Two fastening points.
To hold the reed flat on the table, two light embossings on fastening belts
which are set up well apart. Not to interfere with free vibration, the belts
binding have been placed outside the reed and their width reduced to a minimum.
A well set reed.
Cone-shaped bolts ensure perfect fitting. Flexibility and perfect fitting
provide a well-set reed that won't move when turning or dismounting mouthpiece
or when turning. A matched cap. A special cap with an embossing to make room for
the reed has been designed to fit the Master's ligature.
